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Resembling a bridge, the scaly armour of the UCCA Clay Museum spans across the passageways to the neighbouring buildings. Where this structure touches the ground, Kengo Kuma & Associates arranged shallow water basins.
The monastery originally comprised four wings and a cloister. In the south, a squat church with a single nave connects to the complex. The head building with its three apses, a bell tower, and a transept were added in the 13th century.
The room modules are stacked on top of the timber frame of the ground floor volume. The V-shaped columns consisting of beech plywood are protected by a double-skin ­facade.
The L-shaped plan of the pharmaceutical company office tract frames a flower meadow that transitions into the lush green of the ­interior courtyard.
The fly tower of the Glasshouse Theatre consists of textured prefabricated concrete elements, while the ­existing QPAC displays smooth in-situ concrete. The continuity of colouration, however, is clearly visible.
The volume comprises 730 beds and is structured into eight inter connected houses. Pergolas, trees, and roof terraces accentuate its courtyards.
The house, at the fringe of the Mallorcan municipality of Puig­punyent, home to 2000 residents, contains six subsidised apartments accessed by two entrances.